Tham khảo Hợp âm guitar

Ghi chú

↑ Quãng tám là quãng giữa cao độ này và cao độ kia với gấp đôi (hoặc nửa) tần số.
↑ Chuỗi quãng năm này có cả quãng tam cung (diminished fifth) - thay thế cho quãng năm hoàn hảo (si,fa♯) chứa các nốt chromatic;f♯ - không nằm trong điệu tính Đô trưởng. Nốt fa (của âm giai Đô trưởng) bị thay thế bằng nốt fa♯ theo âm giai nửa cung Lydia.[4]
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↑ Perfect fifths have been emphasized since the chants and hymns of medieval Christendom, according to the medieval musical-theory called the organum.[5]
↑ Denyer (1992) and Schmid & Kolb (2002) each list the same fifteen chords for beginners: Am, A, A7; B7; C, C7; Dm, D, D7; Em, E, E7; F; G, G7.[10]
↑ Hợp âm này không nằm trong mười lăm hợp âm cơ bản mà Denyer, Schmid và Kolb liệt kê riêng: La thứ, La, La 7; Si 7; Đô, Đô 7; Rê thứ, Rê, Rê 7; Mi thứ, Mi, Mi 7; Fa; Sol, Sol 7.[10]

Chú thích

↑ Persichetti 1961, tr. 14.
↑ Denyer 1992, Playing the guitar: The harmonic guitarist; Intervals: Interval chart, pp. 118–119.
↑ Persichetti 1961, tr. 23–24.
↑ Russell 2001, "The fundamental harmonic structure of the Lydian scale", Example 1:7, "The C Lydian scale", p. 5.
↑ Duarter 2008, tr. 49.
1 2 3 4 Denyer (1992, "The advanced guitarist; Power chords and fret tapping: Power chords", p. 156)
↑ Kolb 2005, "Chapter 7: Chord construction; Suspended chords, power chords, and 'add' chords", p. 42.
↑ Denyer 1992, "The Guitar Innovators: Pete Townshend", pp. 22–23.
↑ Mead 2002, tr. 28 and 81; compare p. 40.
1 2 Denyer (1992, The beginner, Open chords, The beginner's chord dictionary, pp. 74–75) and Schmid & Kolb (2002, Chord chart, p. 47).
↑ Denyer 1992, tr. 123–125.
↑ Kolb 2005, Chapter 6: Harmonizing the major scale, pp. 35–38; Chapter 7: Chord construction, pp. 40–48; and Chapter 8: Harmonizing the minor scale, pp. 49–51.
↑ Duckworth 2007, Chapter 11 "Triads" and Chapter 12 "Triads in a musical context".
↑ Kolb (2005, Chapter 5: Triads, Major and minor triads, pp. 30-31)

Tài liệu tham khảo

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